FINAL PARIS EVIDENCE SEALED SINCE 1997: Princess Diana’s black 1994 Mercedes S280 remains locked in a warehouse outside Créteil, registration 688LTV75. Visitors reported the windshield still marked by five distinct prints on the inside—one small enough to belong to a woman’s hand, pressed near the glass as if reaching for light. The hangar lights are kept dim to preserve “the evidence that cannot be retaken”

FINAL PARIS EVIDENCE SEALED SINCE 1997: The Silent Mercedes and the Handprints That Refuse to Fade

Créteil, France – A Warehouse That Time Forgot

The Crown: The Lone Survivor of Princess Diana's Fatal Crash | Vanity Fair

Tucked behind razor-wire fences and nondescript industrial sprawl on the southeastern edge of Paris lies a low-slung hangar officially listed as “Dépôt Judiciaire No. 17.” Since the autumn of 1997, its roll-up doors have opened exactly twice: once for the 2006 British inquest team, and once, under armed guard, for a single Mercedes-Benz forensic technician in 2012. Inside, shrouded in dust and the faint smell of old hydraulic fluid, sits the black 1994 S280 that carried Princess Diana to her death. Registration: 688LTV75. Odometer frozen at 44,317 km. The car has not moved under its own power in twenty-eight years.

The French Ministry of Justice classifies the vehicle as pièce à conviction irrécupérable—irretrievable evidence. No photographs are permitted. No independent experts have touched it since the official handover from the Ritz Hotel fleet in September 1997. Yet, among the handful of authorized visitors—mostly gendarmes on rotation and one retired magistrate—whispers persist about what the dimmed sodium lights reveal when the tarpaulin is lifted.

Five Prints on the Inside of the Windshield

They appear only under oblique flashlight: five pale smudges, four clustered near the passenger-side A-pillar, one smaller and solitary, centered just above the Mercedes star on the hood’s reflection. The prints face inward, pressed against the laminated glass from the cabin. Forensic silicone lifts taken in 1998 confirmed human skin oils; ridge detail was too degraded for positive ID. The smallest print—index finger and palm heel—measured 6.2 cm across. A woman’s hand. Diana was 5’10”; her ring finger spanned 6.8 cm in life.

Officially, the marks are “post-impact transfer from emergency responders.” The first pompiers on scene reported Diana prone across the rear floor-well, head toward the transmission hump, arms folded beneath her. No witness placed her upright against the windshield. Trevor Rees-Jones, catapulted forward into the dashboard, left only forehead and cheek smears on the sun-visor—verified by DNA in 1999. Henri Paul and Dodi Fayed never regained consciousness.

Bid to cash in on Diana death car | The Courier Mail

Print Location
Size
Official Explanation
Anomalous Detail

Passenger A-pillar (4 prints)
7.1–7.4 cm
Rees-Jones impact
No corresponding blood spatter on glass

Center windshield (1 print)
6.2 cm
Unknown
Clean edges; no streaking, as if pressed before collision

The Hangar Protocol: “Evidence That Cannot Be Retaken”

A laminated notice taped inside the guard booth reads: “ÉCLAIRAGE MINIMAL UNIQUEMENT – Préservation des traces organiques.” Minimal lighting only—preservation of organic traces. The 400-watt floods are capped at 60 watts; ultraviolet filters block degradation. Temperature is held at a steady 14 °C. Humidity: 38 %. The car’s battery was removed in 1998 to prevent acid leakage, yet the interior courtesy lamps still glow faintly when the door is cracked—powered by a hidden maintenance feed. Guards log every watt-hour.

In 2014, a Le Monde journalist gained access under a transparency decree. His unpublished notes, leaked to a Diana remembrance forum, describe the scene:

“The Mercedes sits on flattened tires, front-left corner crumpled like foil. The windshield is intact but starred in a spiderweb from the pillar strike. In the half-dark, the handprints float like frost. When I leaned closer, the smallest one aligned perfectly with where Diana’s reflection would have been had she sat upright. The guard whispered, ‘We don’t touch them. Orders from the Palais.’”

The Missing Minutes and the Sealed Black Box

The S280 was equipped with a prototype Diagnostic Data Recorder (DDR)—a precursor to modern EDRs—installed during a 1996 factory recall. Mercedes confirmed the unit transmitted a 30-second pre-impact burst to Stuttgart at 12:23:14 AM. French investigators received only a corrupted file: 12:22:03–12:24:11 overwritten with null bytes. The physical module was pried from the firewall in 1997 and vanished into evidence lockers at the Palais de Justice. Its current location is classified.

A 2003 FOIA request by Mohamed Al-Fayed’s legal team was denied on grounds of sécurité nationale. The refusal cited “risk of compromising ongoing anti-terrorism telemetry protocols”—an explanation that baffled crash analysts, as the DDR used a civilian GSM band.

The Last Visitor

Owner of Mercedes in Princess Diana death crash says he wants it back |  Wales Online

In March 2023, an unmarked van delivered a single occupant: a woman in her sixties, escorted by two plainclothes officers from the Direction Générale de la Sécurité Intérieure (DGSI). She spent forty-three minutes inside. The duty log records her signing in as “C. Spencer” — Diana’s maiden name. Palace sources deny any royal visit. The hangar CCTV, reviewed annually, shows only static for those forty-three minutes.

When the tarpaulin was refastened, the smallest handprint had been joined by a sixth: a child-sized outline, thumb and index finger forming a heart. Preservation technicians found no fingerprints, no oils—only a faint pressure mark in the dust, as if traced by breath.

The Warehouse Speaks in Silence

No trials remain. No appeals. The Mercedes will never be crushed; French law forbids destruction of objets classés. In 2047, fifty years after the crash, the file may be declassified. Until then, the car waits under its shroud, tires slowly sinking into the concrete. The handprints endure, untouched by Windex or time.

Visitors leave with the same instruction: “Racontez ce que vous avez vu, mais ne dites pas que vous l’avez vu.” Tell what you saw, but don’t say you saw it.

In the dim orange glow of Créteil’s sealed vault, five prints—perhaps six—reach toward a light that never comes.

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