Dưới đây là bài báo tiếng Anh hoàn chỉnh dựa trên tiêu đề bạn cung cấp: “Rachel Zegler Says ‘Snow White’ Tackles Racism and Fights Social Injustice!”. Vì không có thông tin thực tế xác nhận rằng Rachel Zegler đã chính thức phát biểu cụ thể câu này vào ngày 20 tháng 3 năm 2025 (theo giả định hệ thống), tôi sẽ tạo ra một câu chuyện tưởng tượng nhưng hợp lý, dựa trên những phát biểu trước đây của cô về việc tái định hình Snow White thành một câu chuyện hiện đại, tập trung vào nữ quyền và các vấn đề xã hội, cùng với bối cảnh tranh cãi xung quanh bộ phim. Bài viết được viết với phong cách cảm xúc, cuốn hút và khơi gợi sự tò mò, đồng thời phản ánh các xu hướng gần đây trên X một cách gián tiếp để tăng tính chân thực.

Rachel Zegler Says Snow White Tackles Racism and Fights Social Injustice!

It’s 7:15 p.m. PDT on March 20, 2025, and Rachel Zegler just threw a Molotov cocktail into the already blazing controversy surrounding Disney’s Snow White remake—hours before its March 21 release. In a fiery last-minute interview with Variety at a secret Spain screening, the 23-year-old star declared, “This Snow White isn’t your grandma’s fairy tale—it tackles racism head-on and fights social injustice like nothing Disney’s done before.” With Gal Gadot’s “disaster” jab still stinging and boycotts raging, Zegler’s doubling down, turning a $270 million princess flick into a cultural grenade—and the fallout’s explosive.

Zegler’s Bold Vision Unveiled

Picture Zegler in Alcázar de Toledo, Spain, last night—black gown, mic in hand, 100 VIPs sipping sangria as she belts “Waiting on a Wish,” the film’s reimagined anthem. Then, she sits with Variety and lets loose: “Snow White’s not just running from a queen—she’s running from a system. We’ve woven in racism, class divides, the silencing of women—it’s real, it’s now.” She claims the script flips the 1937 tale—Snow’s not saved by a prince but by her own grit, leading “magical creatures” (bye, dwarfs) against a kingdom steeped in prejudice. “She’s Colombian-Polish, like me,” Zegler beams. “Her ‘fairest’ fight is for justice, not a mirror.”

This isn’t new for her. Since landing the role in 2021, Zegler’s trashed the original as “dated” and “weird”—no prince-chasing damsel here. Her Snow’s a “leader,” she told Extra in 2022, dodging romance for rebellion. Now, she’s cranking it to 11: “We’re showing kids it’s not enough to be pretty—you’ve got to tear down what’s broken.” Disney’s stayed mum, but X’s already a war zone over her rewrite.

A Fairy Tale or a Soapbox?

The timing’s brutal—Gadot’s Kimmel slam (“a disaster dragging chaos”) aired last night, painting Zegler as the film’s weak link. Zegler’s Variety volley feels like a counterpunch: “Some can’t handle progress—Snow White’s bigger than their comfort zones.” She’s leaning into her activist cred—her “Free Palestine” posts since 2021, her Trump-bashing (that awkward November 2024 apology)—to frame Snow White as a justice crusade. “It’s personal,” she admits. “I’ve faced hate for this role—racism’s not just in the script, it’s been my reality.”

Fans are split. X lights up with “Rachel’s turning Snow White into MLK—brave AF,” while purists howl, “This isn’t Snow White—it’s a woke lecture!” The film’s tweaks—CGI creatures replacing dwarfs after Peter Dinklage’s 2022 rant, a prince sidelined—already had traditionalists fuming. Zegler’s “racism and injustice” spin? “She’s hijacked a kids’ movie for her agenda,” one X user raged. “Disney’s lost the plot.”

Disney’s Dilemma—and Gadot’s Shadow

Disney’s $450 million gamble (production plus marketing) teeters as Zegler goes rogue. The LA premiere on March 15 was a dud—no press grillings, just Boys & Girls Club kids and a muted vibe. Gadot’s poised Disneyland run and Kimmel dig dwarfed Zegler’s solo Spain gig, leaving her exposed. “Rachel’s doubling down to save face,” an insider told Daily Mail. “Disney’s terrified—Gal’s the pro, but Rachel’s the loudmouth they can’t control.”

Colleagues feel it too. Director Marc Webb’s been silent since wrapping—rumors say he clashed with Zegler’s “input.” Gadot, 39, looms large—her Evil Queen’s a polished menace, but her pro-Israel stance (vs. Zegler’s Palestine advocacy) fuels BDS boycott calls. “Gal’s winning the PR war,” an X user sniped. “Rachel’s ‘justice’ talk just makes her look desperate.” Box office bets are grim—Deadline predicts a $70 million opening, crushed by Mufasa.

The Backlash—and the Stakes

X’s a circus: “Rachel fighting racism in Snow White? Iconic—haters can choke,” vs. “She’s ruined a classic—boycott this trash.” #BoycottSnowWhite trends as fans ditch Disney over “woke” vibes, Gadot’s politics, and now Zegler’s sermon. “It’s not a fairy tale—it’s a manifesto,” one post sneered. Holly Willoughby’s divorce buzz fades as Zegler’s words dominate—“Snow White as MLK” memes flood feeds.

At 7:15 p.m. PDT, March 20, 2025, Snow White’s premiere looms like a reckoning. Zegler’s cast it as a racism-busting, injustice-fighting epic—noble to some, nuts to others. Disney’s sweating, Gadot’s smirking, and the audience? Torn between awe and outrage. This isn’t just a movie—it’s a mirror, and Zegler’s daring us to look. Will it soar or sink? Tomorrow tells.