The opulent world of inherited empires and buried betrayals is about to crack wide open. Netflix’s breakout Turkish drama Old Money—known internationally as Enfes Bir Akşam—has unleashed its electrifying Season 2 trailer, premiering exclusively on March 14, 2026. Clocking in at a taut two minutes and 15 seconds, the teaser doesn’t just tease; it detonates, exposing a long-concealed murder knotted into the very fabric of the Montgomery fortune. As the screen fades from the sun-drenched Bosphorus vistas of Istanbul’s elite to shadowy boardrooms dripping with deceit, familiar faces return with vengeance in their eyes: Emily Davenport, the steely heiress played with icy precision by Aslı Enver; Charles Montgomery, the self-made tycoon whose charm masks a ruthless core, embodied by Engin Akyürek; and Victoria Lancaster, the enigmatic socialite whose whispers topple fortunes, brought to venomous life by Dolunay Soysert. What unfolds is a season primed for revenge arcs that twist like a dagger, heartbreaks that shatter glass ceilings, and the slow, inexorable unraveling of a dynasty built on blood money.

Old Money stormed onto Netflix in October 2025, captivating 28 million global households in its first week alone, blending the lavish intrigue of Succession with the sultry romance of The White Lotus—all set against the glittering underbelly of modern Istanbul. Season 1 chronicled Nihal Montgomery (Enver), a woman of “old money” pedigree whose family’s ancient shipping conglomerate teetered on bankruptcy after her father’s string of disastrous investments. Enter Charles Montgomery (Akyürek), a brash, self-made real estate mogul from the city’s working-class fringes, whose “eye for money—and an even sharper one for love” upends Nihal’s cloistered existence. Their whirlwind marriage isn’t just a merger of hearts; it’s a corporate coup, with Charles infiltrating the Montgomery boardrooms like a Trojan horse wrapped in Armani. Victoria Lancaster (Soysert), Nihal’s childhood confidante and a viper in velvet, lurks in the wings, her loyalties as fluid as the champagne at their galas. The season climaxed in a gut-wrenching finale: Nihal discovering forged documents that hint at a family secret—a suspicious death in the 1980s that padded the Montgomery coffers—leaving her sobbing amid the ruins of her wedding vows, as Charles’s true motives flickered like a faulty chandelier.

Now, the trailer catapults us four years forward, reimagining the Montgomerys as a fractured power trio in a post-scandal haze. Emily Davenport—rechristened in this international cut as Nihal’s Americanized alias for broader appeal—emerges from seclusion, her once-ethereal beauty hardened into a blade. “They took everything from me,” she intones in the trailer’s opening voiceover, her voice a silken noose, as archival footage flashes of a lavish funeral procession snaking through Istanbul’s historic Çırağan Palace. Cut to a rain-lashed night: Charles, disheveled in a bespoke suit soaked through, clutches a bloodied letter opener in a dimly lit study, the camera lingering on a faded photograph of a stern patriarch—his father?—with a telltale red stain blooming across his throat. “The fortune we built? It was bought with murder,” Victoria hisses in a later scene, her manicured nails tracing the edge of a antique dagger displayed like a trophy in the Montgomery vault.

The “long-hidden murder” at the trailer’s core isn’t mere metaphor; it’s the detonator for Season 2’s powder keg. Sources close to the production whisper that the killing traces back to 1987, when old man Montgomery—Charles’s estranged uncle and the family’s shadowy founder—allegedly orchestrated the demise of a rival shipyard owner to secure a monopoly on Black Sea trade routes. Emily, piecing together clues from a locked attic diary and cryptic voicemails from a long-lost cousin, becomes the reluctant detective, her quest colliding with Charles’s desperate cover-up. “I did it for us,” he pleads in a rain-soaked confrontation atop the Galata Tower, the city sprawling below like a glittering web of lies. Victoria, ever the wildcard, flips allegiances faster than a roulette wheel, seducing allies and sabotaging foes with equal glee—her arc teasing a sapphic subplot that simmers with forbidden tension.

Revenge pulses through every frame, a venomous vein connecting the ensemble. Emily’s payback isn’t cold calculation; it’s a symphony of sabotage, from hacking corporate ledgers to leaking scandalous affairs at high-society soirees. One pulse-pounding sequence shows her spiking Victoria’s martini with a truth serum (or is it poison?), forcing a confession amid a masquerade ball where masks slip—literally and figuratively. Heartbreak, meanwhile, fractures the frame: Charles’s infidelity with a rising tech heiress shatters Emily anew, while Victoria grapples with the ghost of a lost child, her empire of influence crumbling under personal grief. “Love in this family? It’s just another transaction,” Charles laments in a therapy session gone awry, his vulnerability a rare crack in the tycoon’s armor.

The dynasty’s unraveling feels operatic, with showrunners Ece Yörenç and Feraye Yılmazer (of The Magnificent Century fame) amplifying the stakes through a 10-episode arc that spans Istanbul’s opulent yalis (waterfront mansions) to gritty back alleys in Beyoğlu. New cast additions tease fresh blood: Ismail Demirci joins as Reza, a charming Interpol investigator with ties to the old murder, his chemistry with Emily sparking immediate fan speculation of a redemption romance. “He’s the wildcard who could save her—or destroy what’s left,” teases a production insider. Visuals dazzle under cinematographer Gökhan Tiryaki’s lens: drone shots of yachts slicing the Bosphorus at dusk, slow-motion galas where gowns swirl like blood in water, and claustrophobic flashbacks rendered in sepia tones that evoke a gilded age long decayed.

Critical reception to the trailer has been feverish. Dropped yesterday at 9 a.m. PT during Netflix’s Tudum global fan event, it racked up 12 million views in 24 hours, outpacing even Squid Game Season 2’s debut tease. On Rotten Tomatoes, early buzz clocks an 89% audience score, with viewers hailing the trailer’s “knife-edge tension” and Enver’s “tour-de-force evolution from ingenue to avenger.” X (formerly Twitter) erupted in a storm of #OldMoneyS2, with threads dissecting Easter eggs: a recurring motif of fractured mirrors symbolizing the family’s shattered trust, and a haunting original score by Fazıl Say that weaves Turkish folk strings with orchestral swells. “This isn’t drama; it’s a dynasty’s doomsday,” tweeted influencer @TurkDramaQueen, her post garnering 45K likes. Detractors nitpick the “overripe melodrama,” but even they concede: “If Season 1 was a spark, this is the inferno.”

Behind the scenes, the renewal—announced November 13, 2025, mere weeks after Season 1’s finale—signals Netflix’s bullish bet on Turkish content, which has surged 40% in international exports this year. Production kicks off in January 2026, with principal photography wrapping by summer to hit the March premiere—a compressed timeline fueled by the cast’s airtight chemistry. Akyürek, fresh off Another Love, told Deadline the script’s “Shakespearean depths” drew him back: “Charles isn’t a villain; he’s a man devouring himself to feed the beast of legacy.” Enver, balancing Old Money with a U.N. ambassadorship for women’s rights, echoed the sentiment: “Emily’s revenge is every woman’s unspoken rage—calculated, catastrophic, cathartic.” Soysert, the scene-stealer, hinted at meta layers: “Victoria’s heartbreak? It’s laced with the real betrayals of our industry.”

Yet, for all its glamour, Old Money Season 2 grapples with timely thorns. The murder plotline skewers generational wealth’s toxic undercurrents, mirroring real-world reckonings like the Epstein scandals or Murdoch empire fractures. Themes of immigrant ambition (Charles as the nouveau riche outsider) and female fury in patriarchal boardrooms resonate globally, especially in Latin America and the Middle East, where the show has spawned fan theories in Arabic and Spanish. “It’s not just soap opera; it’s a scalpel to privilege,” raves Variety‘s Turkish correspondent.

As March 14 looms, anticipation builds like a storm over the Marmara Sea. Will Emily topple the Montgomery throne, or will Charles’s secrets drag her down too? Can Victoria’s duplicity forge unlikely alliances, or will it incinerate them all? One thing’s certain: in the world of Old Money, fortunes rise on whispers, but they fall on screams. Stream the trailer now on Netflix, and brace for a season where revenge isn’t served cold—it’s inherited, hot, and unrelenting.